The session styling glossary
A plain-English glossary of the language used on set, backstage and in booking negotiations. If you are moving from salon work into session work, not knowing these terms is one of the fastest ways to be marked as new — and to be underpaid.
The booking
- Call sheet — the pre-shoot document with schedule, location, crew list, contacts and call times.
- Call time — when you are required on set, ready to work. Not when you set off.
- Day rate — your fee for an agreed working day, usually a set number of hours.
- Half day — a shorter booking, typically charged at more than half the day rate.
- Overtime — hours beyond the agreed day, charged at a rate agreed in advance.
- Kit fee — a separate charge for supplying and consuming your own product and equipment.
- Usage — the licence covering how, where and for how long images may be used. Negotiated and priced separately.
- Buyout — a broad usage licence, often unlimited or long-term. Should cost significantly more.
- Territory — the geographic scope of a usage licence.
- Cancellation terms — what you are owed if a confirmed booking is dropped, and how close to the date.
- Pencil — a provisional hold on your availability. A first pencil has priority over a second.
- Confirmed — the booking is firm. Until then, it is not.
- Advance — money paid up front, usually against expenses.
The people
- Lead stylist — designs the look and is accountable for it.
- Grooming Director — owns the hair and grooming vision for a production and leads the team delivering it.
- First assistant — the lead's right hand, running the team on the floor.
- Assistant — prepping, carrying, supporting. The apprenticeship of the industry.
- Creative director — owns the overall concept the hair has to serve.
- Art director — responsible for how the final image looks.
- Fashion stylist — clothing, not hair. Frequently confused, entirely separate role.
- Producer — makes the shoot happen. Budget, logistics, schedule.
- Booker — the person at an agency who places you on jobs.
- Agent — represents you, negotiates, takes a commission.
- Client — whoever is paying. Brand, magazine, agency or production.
The work
- Session — hair for a production rather than a paying salon client.
- Editorial — work made for publication in a magazine. Paid mostly in credit.
- Commercial — advertising and brand work. Where session stylists earn.
- Lookbook — images produced to show a collection to buyers or customers.
- Test — an unpaid collaborative shoot made so everyone involved gets usable images.
- Tear sheet — a page of published work. Third-party proof that a test cannot give you.
- Mood board — the reference images defining a look before it is executed.
- Brief — the instruction you are executing. Assistants execute it; they do not interpret it.
- Backstage — the working area at a show. Cramped, fast, no basins.
- Run of show — the running order of models and looks.
- Refresh — maintaining a look between shots or exits.
- Continuity — keeping the look identical across shots, days or models.
- Credit — your name published alongside the work. Chase it. It is how the industry tracks you.
Two worth knowing properly
Usage is the term that costs stylists the most money. A shoot used on a brand's social channels for six months and the same shoot on billboards worldwide for three years are radically different commercial propositions. If usage is not discussed, the client will assume the broadest interpretation, and you will have given away the most valuable part of the deal for nothing.
Pencil is the term that causes the most confusion. A first pencil is a hold, not a booking. You may take other work, but you are expected to give the first pencil the chance to confirm or release before you do. Handling this badly damages relationships quickly.
Find out which stage is holding you back
The Global Stylist Scorecard scores you across the eight stages of the GSB Ascension Method and names the one costing you bookings. Twelve minutes. No email, nothing to buy.
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